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of listening to these historic performances with those who had been collecting these items some generations before. F rom early age Getty has compiled several collections, of which one was a selection of early operatic 78rpm records. On many record covers of the Wayne collection handwritten comments and information can be found on provenance, rarity and value of a record as well as hints on the correct speed or stylus size. Even if there was the opportunity to bid online from all over the world, it was impossible to get an idea of the condition of all records offered there from abroad. A part of the thrill of holding so many most important items in my hands it has been a great advantage to know the condition of the items I was bidding. O f some of the records their provenance can be traced far back into the early 20th century. M ost opera collectors must by now have heard of the auctions of the collection of the late Sir John Paul Getty. H opefully many of these thrilling records will go into the collections of enthusiastic music lovers who will appreciate the fascination of these terrific pieces. Once only very few copies of a record are known to exist, their condition is of course secondary. Unlimited funds of course helped the great rarities to find the way into the Getty collection which in some cases also contained two or three copies of a great rarity. Also purchased the famous Vivian Liff collection.
Harold Wayne was regarded as the worlds best collection of operatic records, while his duplicate collection was said to be the worlds second best collection. Even if I would wish to keep all 3500 records, I have to make a living from selling records.
I had been the only foreign bidder who participated in all five auctions in the room. While it was assummed that in general all Harold Wayne records were top copies, the percentage of records with severe damages, needle wear, cracks, chips in the Getty sales was higher than expected. Among others the purchase of the legendary Harold Wayne collection enabled him to build up the the most important collection of early operatic records worldwide. Harold Wayne records usually have a label sticker Harold Wayne collection on the sleeve. These records shall find their way into new collections. To find the right limit I was anyway glad having inspected record by record. Fortunately the auctioneer had kindly offered me some extra time for viewing which enabled me to check all.000 records visually. More knowledgeable background information is available in the liner notes of the 40 volume CD series The Harold Wayne collection by Symposium Records where Harold Wayne tells about the provenance and rarity of many of his records. A lthough I am personally a collector of jazz 78s I regard the records of the Getty/ Wayne collection as inimitable and extremely fascinating cultural heritage. R ecords of the former Harold Wayne collection are indicated in our catalogue by Harold Wayne all other Getty sale records by Getty. They shall be offered for sale individually in this and in future annual phonopassion catalogues.
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